Mount of the Holy Cross – Peak Portrait No. 1

$300.00

The first portrait in the 100 Peak Portraits series — captured from over 13,000 feet on Notch Mountain, where the legendary snow-filled cross of Mount of the Holy Cross reveals itself for only a brief window each summer. Printed at 30” × 40” on museum-quality MAX HD Silver Halide Paper, each of the 100 prints is hand-signed and numbered. Once sold out, it will never be printed again.

Please allow 30 days for delivery for production and quality control. 

The first portrait in the 100 Peak Portraits series — captured from over 13,000 feet on Notch Mountain, where the legendary snow-filled cross of Mount of the Holy Cross reveals itself for only a brief window each summer. Printed at 30” × 40” on museum-quality MAX HD Silver Halide Paper, each of the 100 prints is hand-signed and numbered. Once sold out, it will never be printed again.

Please allow 30 days for delivery for production and quality control. 

  • 30” × 40” fine art print, suitable for framing.
    Hand-signed and numbered by the photographer in the bottom margin.

  • This is the first Portrait from my 100 Peak Portraits series — a cinematic photography project capturing 100 iconic mountains around the world in a single, authentic frame each. No composites. No shortcuts. Just the real stories and effort behind every summit.

  • Certificate of Authenticity included.
    Limited to 100 prints — once sold out, no more will ever be produced.

  • Printed on MAX HD Silver Halide Paper, offering an ultra-high resolution of 610 dpi for sharper, more detailed images compared to standard photo prints.

  • Please allow 30 days for delivery for production and quality control. 

In 1873, photographer William Henry Jackson carried a massive wooden camera high into the Colorado Rockies to capture the first image of a rumored natural wonder — a snow-filled cross etched into the face of a remote peak. That photograph made Mount of the Holy Cross a national symbol of beauty and divine presence in the wilderness. More than 150 years later, I set out to follow in his footsteps, hiking through alpine meadows and climbing to over 13,000 feet to see the cross for myself, and to create a portrait that would mark the very beginning of my 100 Peak Portraits project.

Reaching the same vantage point on Notch Mountain, I camped above treeline to witness both sunset and sunrise, waiting for the perfect light to reveal the mountain’s iconic form. The moment I chose wasn’t an exact replica of Jackson’s image — it was my own interpretation, shaped by the conditions, the layering of ridges, and the fleeting warmth of the sun as it broke over the horizon. This photograph is more than a view; it’s the product of miles of effort, cold nights, and a tradition of storytelling through landscape photography that stretches back more than a century.